Use the active voice.
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The active voice is usually more direct and vigorous than the passive: |
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This is much better than |
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The latter sentence is less direct, less bold, and less concise. If the writer tries to make it more concise by omitting "by me," |
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it becomes indefinite: is it the writer, or some person undisclosed, or the world at large, that will always remember this visit? |
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This rule does not, of course, mean that the writer should entirely discard the passive voice, which is frequently convenient and sometimes necessary. |
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The first would be the right form in a paragraph on the dramatists of the Restoration; the second, in a paragraph on the tastes of modern readers. The need of making a particular word the subject of the sentence will often, as in these examples, determine which voice is to be used. |
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The habitual use of the active voice, however, makes for forcible writing. This is true not only in narrative principally concerned with action, but in writing of any kind. Many a tame sentence of description or exposition can be made lively and emphatic by substituting a transitive in the active voice for some such perfunctory expression as there is, or could be heard. |
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As a rule, avoid making one passive depend directly upon another. |
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In both the examples above, before correction, the word properly related to the second passive is made the subject of the first. |
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A common fault is to use as the subject of a passive construction a noun which expresses the entire action, leaving to the verb no function beyond that of completing the sentence. |
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Compare the sentence, "The export of gold was prohibited," in which the predicate "was prohibited" expresses something not implied in "export." |
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